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We all know that learning a new software application can be a difficult task, especially when that application is as complex as Adobe Illustrator! If you are learning by yourself, it can be a hard ride. This is больше на странице we have prepared this list of great AI tutorials, which you should read through, especially if you are just starting out with Adobe Illustrator.

Enjoy the article and hopefully, learn a lot of new techniques and tricks. A great looking abstract design can be created from the simplest form. You can take a look at the creation of geometric shapes and objects to form a dynamic composition in Illustrator.

Follow these steps to create a range of body shapes and graphics that are combined into one large collage. There are times when you need to adobe illustrator tutorials cs4 free download a gift box and effects for special occasions. This tutorial gives you an idea of how this can be achieved with brushes and some other techniques. In this tutorial you will learn how to use the mesh tool to create water drops, the Symbol Sprayer tool-use icon with the help of water droplets and четко corel pdf fusion 2.6.2 free это. The collection of tutorials and guides that include various hints and tips on all types of tools.

Brushes are an important tool in Illustrator, and come in different styles. This tutorial covers the kinds of brushes, with great examples of how it can be used. Heres an overview of four types of brushes in Illustrator covered with a detailed explanation of how to use each. This post may contain affiliate links. See our disclosure about affiliate links here. Adobe illustrator tutorials cs4 free download to our popular newsletter and get the latest web design news and resources directly in your inbox.

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Adobe illustrator cs4 tutorial vectors free download graphic art designs - Features of Adobe Illustrator CS4 Tutorials + Project Files



 

This helps to turn one shape into another Delete Anchor Point tool Deletes points from a path without causing a break in the path. Convert Direction Point tool Changes the control handles around an anchor point reshaping the segments controlled by that anchor point.

Type tool Creates resizable and moveable text frames in which you can type text. Line tool Creates straight lines. Ellipse tool Creates ellipse shapes that hold text.

Rectangle tool Creates rectangle shapes that hold text. Polygon tool Creates polygon shapes that hold text. Paintbrush tool Draws a path and applies a brush stroke simultaneously. Pencil tool Draws open and closed paths as if you were drawing with a pencil on paper. It is most useful for fast sketching or creating a hand-drawn look. Smooth tool Removes excess angles from an existing path or a section of a path.

Arc tool Creates a curved line segment or a closed, wedge-like shape. Spiral tool Creates a spiral-shaped object of a given radius and number of winds. Grid tool Creates rectangular grids of a specified size with a specified number of dividers.

Polar Grid tool Creates concentric circles of a specified size and a specified number of dividers. Star tool Creates star-shaped objects with a given size and number of points.

Flare tool Creates flare objects with a bright center, a halo, and rays and rings. Use this tool to create an effect similar to a lens flare in a photograph. Erase tool Removes part of an existing path or stroke. You can use this tool on paths, but not on text. Rotate tool Changes orientation, or angle, of the object on the page. Reflect tool Flips the object across an invisible axis that you specify. You can copy while reflecting to create a mirror image of an object.

Scale tool Scales a selected object by being dragged anywhere in the document window. Scales objects relative to their center points, or to any reference point you make anywhere in the document window. Reshape tool Selects one or more anchor points and sections of paths and then adjusts the selected points and paths globally. Warp tool Stretches objects as if they were made of clay. When you drag or pull portions of an object 8.

Twirl tool Creates swirling distortions of an object. Pucker tool Deflates an object by moving control points toward the cursor. Bloat tool Inflates an object by moving control points away from the cursor. Scallop tool Adds random, smooth, arc-shaped details to the outline of an object.

Crystallize tool Adds random spike- and arc-shaped details to the outline of an object. Wrinkle tool Adds random arc- and spike-shaped details to the outline of an object. Free Transform tool Provides a way to perform any transformation, such as rotating and scaling. Symbol Spray tool Creates a set of symbol instances or increases more instances to an existing set. Symbol Shift tool Moves symbol instances around. Symbol Scrunch tool Pulls symbol instances together or apart. Use this tool to shape the density distribution of a symbol set.

Symbol Size tool Increases or decreases the size of symbol instances in an existing symbol set. Symbol Spin tool Orients the symbol instances in a set. Symbol instances located near the cursor orient in the direction of the cursors movement. Symbol Stain tool Colorizes symbol instances changing the hue toward the tint color, while preserving the original luminosity. Symbol Screener tool Increases or decreases the transparency of the symbol instances in a set.

Symbol Style tool Applies or removes a graphic style from a symbol instance. Column tool Compares one or more sets of values by using rectangles whose lengths are proportional to the values. Stacked Column tool Is similar to a column graph, but stacks the columns on top of one another, instead of side by side. This graph type is useful for showing the relationship of parts to the total. Bar tool Is similar to a column graph, but positions the rectangles horizontally instead of vertically. Stacked Bar tool Stacks the bars horizontally instead of vertically.

Line tool Uses points to represent one or more sets of values, with a different line joining the points in each set. This type of graph is often used to show the trend of one or more subjects over a period of time. Area tool Is similar to a line graph, but emphasizes totals as well as changes in values. Scatter tool Plots data points as paired sets of coordinates along the X and Y axes. Pie tool Creates a circular graph whose wedges represent the relative percentages of the values compared.

Radar tool Compares sets of values at given points in time or in particular categories, and is displayed in a circular format. Gradient tool Changes the direction of a gradient, its beginning point and endpoint, and applies a gradient across multiple objects. Every Illustrator CS4 document contains at least one layer. Creating multiple layers lets you easily control how your artwork is printed, displayed, and edited.

You will use the Layers palette Figure 7 often while creating a document, so it is crucial to understand what it does and how to use it. Exploring the layers palette Figure 7.

Layers palette with two layers A. Create New Sub layer D. Create New Layer E. Layers Palette. To select an object, choose the Selection tool from the toolbox and click on the object you wish to select. When the object is selected, you can move, transform, and change its properties. Some selections may be easier to make by creating a marquee around the object. To make a marquee selection, do the following: 1.

Choose the Selection tool from the toolbar. Click and drag the Selection tool over multiple objects to select them all. Duplicating objects To duplicate objects, do the following: 1.

Select the object you wish to duplicate. Hold the ALT key on the keyboard as you click and drag the object to another position on the artboard Figure 6. Once you release, a duplicate will show up where the object has been moved.

Figure 6. Duplication Objects. To create a shape, do the following: 1. Select the Shape tool that corresponds to the shape you wish to create.

Click and drag on the art board to create desired size and proportion of the shape. Select the Shape tool you wish to use and click on the art board. This will open a window with the properties of your new shape. Here you can type in specific height, width, number of points on a star, etc. Figure 9. Figure 8. Reshaping without shift. Reshaping with shift. Like other objects, type can be painted, scaled, rotated, etc.

You can also wrap type around objects, make it follow a path, create type masks, import text files into containers, and modify the shape of individual letters in a block of type. To add type to a document, do the following: 1. Select the Type tool from the toolbox. Click and drag anywhere on the art board to create a marquee for your text. Use the Character palette to choose the font, font color, font size, etc.

Wrapping text around a graphic To make your work, for example a brochure, look professional, you may want to use Text Wrap Figure Objects, which you will wrap text around, must be in front of the type. To make a Text Wrap, do the following: 1.

Select the object you wish to wrap text around. Set the Text Wrap Options Figure NOTE: You can change how close the text wraps around an image after you have made it by changing the offset Figure The lower the offset the closer the wrap. After your Text Wrap is set you can move the object freely without resetting your wrap options.

Figure Texting Wrapping. Options You can type along any path you make with the Pencil, Pen, and even the Shape tools. To type along a path, do the following: 1. Start by drawing a path on the art board Figure Select the Path Type tool from the toolbox and click anywhere on the path to start your text at that spot on the path. Adjust the position of the type along the path by positioning the Selection tool over the start, middle, or end of the type bracket until a small arrow icon appears.

Click and drag to the desired position. When finished, you can move the type with the Selection tool. NOTE: After typing on a path the path will have no stroke or fill.

This is typing on a path! Typing along a path. Create Path to type on. To place an image into your document, do the following: 1. Make sure the layer you wish to place your image in is selected. NOTE: Placed images are added to the selected layer. If you want it to be on its own layer, create a new layer by clicking the New Layer button near the bottom of the Layers palette shown in Figure 1 of the Working With Layers section of the tutorial and select it then place your image.

Navigate through the pull down menus to find the file that you want to insert. Select the file and click OK. Once you have placed the object, switch to the Selection tool to move the object to the precise location you want. Click and drag a gripper inward or outward to expand or shrink your image as desired. If you would like to maintain the original proportions of the image when you resize it, hold down the SHIFT key as you perform the resizing action. Object Navigate to the desired file and click Place.

The following sections offer an in depth explanation of how to adjust images, graphics, and text within your document. When creating a poster or a brochure you will most likely align objects in an organized manner; guides make this task easy.

To use guides, you must first make the rulers visible on your document. To create a guide, do the following: 1. With the Selection tool click and drag the ruler on the edge of the page onto the art board.

A blue marquee line will appear where your guide will go. Move the marquee to the position you want and let go of the mouse button. Remember to lock guides again after you have unlocked them, or you might accidentally select and move them.

Creating clipping masks Clipping masks are shapes that act as windows showing only the artwork located within the boundaries of those shapes. The clipping masked object must be on top of the stack of objects you wish to mask. To create a clipping mask, do the following: 1. Choose the object you wish to mask with using the Selection tool. Select all objects you wish to include in the mask. Object Arrange. Object Clipping MAsk. Grouping Objects When there are multiple objects on the art board that you need to move as a whole you can group them instead of selecting each of the objects every time you wish to move them.

To group multiple objects, do the following: 1. Select all of the objects that you want to group together. If you click over the newly grouped objects with the selection tool you will notice that they are bound together as one large object. Grouping Objects. Sometimes, you may have an object placed exactly where you want it and you want to avoid moving it by accident.

For example, if you have a large image or graphic as a background for the page, you may select it and move it accidentally if you are not careful.

To help you avoid such situations, Illustrator CS4 has a function called Locking. When an object is locked it cannot be moved, adjusted, or altered in any way. Notice how Illustrator restricts the object from being altered in any way. To do this, you would use the Transparency palette.

In this palette you can adjust the Opacity of an object. Under the Transparency tab Figure 17 , you will see a dropdown menu that holds all the blending options for applying transparencies. To apply a transparency, do the following: 1. Select the object you want to apply the transparency to with the Selection tool.

Choose which blending mode you want to use in the transparency. Type in or drag the slider to the amount of opacity you wish to apply.

Using styles, you can quickly and globally change the appearance of an object. To add a style, do the following: 1. Select the object with the Selection tool. Click on the Graphic Styles tab Figure Select the style you wish to apply. Graphic Styles. This can be done by adding multiple effects to an object. To add an effect, do the following: 1. Click on Effect in the menu bar at the top of the screen. Select the effect you want, set the parameters and click OK. Appearances You can specify which part of an object you add styles and effects to by using effects in the Appearance palette Figure You can duplicate strokes and fills in the Appearance palette which allows you to have multiple strokes and fills with different effects and styles on a single object.

An appearance attribute can be changed or removed at any time without changing the original object or any other attributes applied to the objects. Just like layers, you can move your appearances to any order you wish. Appearance with green, red and blue. Appearance with pink, yellow, and blue. Adobe Illustrator CS3 is jam-packed with new features and enhancements, including Live Color, a new environment that enables users to explore, apply, and save custom color configurations; improved integration with Adobe Flash CS3, which ensures that your vector illustrations import effortlessly to Flash with their anchor point positions, layers, and paths intact; a new Eraser tool, which lets users quickly modify objects or create entirely new shapes; a new Crop Area tool, which lets users set up a workspace so that it's automatically primed for the type of media that will display their design, whether it's print, Web, video, or film; new document profiles, newly improved drawing tools and controls, and much more.

Whether you're brand-new to Adobe Illustrator or are looking for a project-based tutorial to familiarize yourself with Illustrator CS3's new features, Adobe Illustrator CS3 Classroom in a Book provides you with the key techniques and tips you need to get the most out of this software. There often seems to be a strict division of labor within the world of web design and development.

Creative professionals tend to stick to the Photoshop domain, while those well-versed in scripting are left to the task of implementing their work. Indeed, the two realms are quite different from each other, to which any of us even vaguely familiar with either can easily attest. Essentially, Photoshop is a no-holds-barred design studio, offering the artist a seemingly endless array of creative options.

On the other hand, HTML, CSS, Java and the like follow strict rules of engagement, requiring the developer to take any number of esoteric concerns into consideration in order to ensure that designs are properly displayed on the web. Basically, this program turns Photoshop into an easy-to-use and fully functional web design tool. With SiteGrinder 2, designers will now have the freedom to totally let their creativity loose and then, without skipping a beat, transfer their designs to the web.

Bringing esthetic concerns together with more practical considerations, this program is an amazingly powerful tool that would make a fantastic addition to any web designer's bag of tricks.

So how does it work? Think for a second about the normal flow of work for any web design project. You'll spend a great deal of your time designing the visual appearance of your website in Photoshop, only to turn around and spend even more time working with a code editor like Dreamweaver or GoLive, going through the labor-intensive process of reconstructing these designs for the web. Not to mention that fact that your creativity is often significantly limited when you're using a design program that's completely separate from the program that's used to prep everything for the web.

Not everything that you design will be functional when it's translated to the web, nor will it be compatible with all web browsers period! As such, you'll often find yourself not going that extra creative mile just because you know that your web developer will have to re-work your designs just to make sure that they can be used online. By generating web pages directly from Photoshop, you'll be able to spend much more time on the creative end of the spectrum, since you'll know right off the bat how well particular designs will translate to the web.

No more going back to the Photoshop drawing board after getting a phone call from your development team, telling you that what you had envisioned doesn't have a chance of being displayed on the web.

You can immediately visually and interactively test your designs, which permits you to then make changes to either esthetics or functions while it's still relatively early on in the design process. Virtually all of Photoshop's character and paragraph styles are supported by CSS, so you'll be able to ensure a smooth transition from workspace to web browser.

This includes everything from bold and italic to paragraph spacing and alignment. All the basic elements of any standard website are also easy to achieve by using SiteGrinder 2 with Photoshop, which allows you to create buttons, rollovers, pop-ups and menus. Often overlooked, this incredibly powerful little tool lets you save and name particular document states, including the position and visibility of every layer.

SiteGrinder 2 will then use these comps to figure out what to include on the web pages that it will generate for you. It's as easy as that! You don't need to spend precious time and money learning the intricacies of web-speak when SiteGrinder 2 can do all this work for you, leaving you with much more time and freedom to explore the limits of your creative potential in the Photoshop world you know so well.

SiteGrinder 2 can be ordered from Media Lab's online store. In a simple step-by-step, plain English approach, Colin will show you exactly what you need to know.

This one-of-a-kind guide will show you how to create visually appealing and technically effective professional web sites. The simple-to-use interface lets you jump to any lesson with complete control over the playback. All the lesson files are included, so you can easily follow along.

Free Newsletter Free monthly prizes. Turn your Photoshop designs into websites with SiteGrinder. Pen Tablet Center. Adobe Illustrator CS4 free tutorials directory.

Adobe Illustrator CS4 Tutorials.

   

 

Adobe illustrator tutorials cs4 free download -



   

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